When Lata Mangeshkar REFUSED to sing for Raj Kapoor’s films after demanding royalty: I will sit outside your house till…’ |
The legendary collaboration between Lata Mangeshkar and Raj Kapoor gave Bollywood some of its most timeless melodies, but behind the scenes, their relationship was marked by moments of tension and disagreement. One such episode during the making of Satyam Shivam Sundaram revealed the complex dynamics between the iconic singer and the visionary filmmaker—an episode that nearly ended their partnership but ultimately showcased their resilience and mutual respect.Tensions rose during Satyam Shivam Sundaram when Raj Kapoor asked Lata to bring her brother Hridaynath Mangeshkar on board for the music. She agreed, but was later shocked to learn that he had been replaced by Laxmikant-Pyarelal—without her knowledge. This incident led Lata to refuse to sing for Raj for a period, and their relationship was further strained by disagreements over royalties. Despite the ups and downs, their creative partnership left an indelible mark on Indian film music.In Raj Kapoor: The One and Only Showman, Raj Kapoor’s daughter Ritu Nanda detailed a pivotal moment that strained the filmmaker’s long-standing collaboration with Lata Mangeshkar. At Raj’s request, Lata persuaded her brother Hridaynath Mangeshkar—who was initially reluctant—to compose the music for Satyam Shivam Sundaram, a suggestion originally made by singer Mukesh. However, while Lata was away on a US tour, Raj Kapoor quietly replaced Hridaynath with composer duo Laxmikant-Pyarelal without informing her. The unexpected move caused a serious rift between Lata and Raj, marking a low point in their otherwise iconic association.Lata Mangeshkar found the situation deeply embarrassing, especially since her brother Hridaynath had accepted the film project on her recommendation, only to face negative press that suggested otherwise. Hridaynath felt offended and humiliated by the turn of events. On returning from her tour, Lata confronted Raj Kapoor, questioning why he had replaced her brother after she had convinced him to take on the project at Raj’s own request. According to Ritu Nanda, Raj Kapoor’s daughter and author of Raj Kapoor: The One and Only Showman, this incident became a major point of conflict between Lata and Raj. Following the fallout, Lata began demanding royalties from Raj for the songs she recorded, as she did with other producers, and reportedly caused delays in recording sessions, making their professional relationship increasingly strained.To ease the tension between Lata Mangeshkar and Raj Kapoor, Pandit Narendra Sharma, a fatherly figure to Lata, stepped in and persuaded her to lend her voice to Satyam Shivam Sundaram, believing no other singer could do justice to the songs. However, Lata set strict conditions: she agreed to sing only if she could avoid interacting with anyone in the studio. She went as far as requesting Laxmikant Pyarelal to prevent Raj Kapoor from entering the studio during her recording sessions.Lata sang the song and left immediately without speaking to anyone. Around that time, the film Bobby was in production, and she contacted Raj Kapoor to inform him that the singers’ association had instructed singers to collect royalties directly from producers. Raj’s response was sharp: “I have come here to do business, not distribute royalty.” Lata, unfazed, replied, “You have come here for business, and I have come to the zoo,” recalling the exchange with a mix of humor and frustration.Tensions reached a boiling point, prompting Raj Kapoor to ask Laxmikant Pyarelal to mediate the ongoing cold war between him and Lata. Though she initially resisted his efforts, Lata eventually received a call from Raj Kapoor, who playfully warned her, “If you refuse to sing for my film, I will put up a tent right outside your house.”The two eventually reconciled, with Lata going on to sing for Bobby and all the other films Raj Kapoor made throughout his career.
