‘Thug Life’ first half Twitter reviews: Kamal Haasan impresses, but it’s STR who steals the show | Tamil Movie News
The highly anticipated ‘Thug Life’, directed by Mani Ratnam and starring Kamal Haasan, had its USA premiere, and early Twitter reactions to the first half are already flooding social media. With Silambarasan TR (STR) also playing a key role, the first half of the film has sparked mixed but largely positive reactions online, especially highlighting its technical finesse and fiery performances.
STR’s Electrifying Presence Lights Up the Screen
While Kamal Haasan’s performance is being praised for its class and presence, many netizens are unanimous in pointing out that it’s Silambarasan TR who truly ignites the screen in the first half. “STR erupts on screen,” wrote one user, calling his energy “unmatched” and describing the interval as a “mass blast.” His portrayal of a gangster is earning him applause for bringing explosive charisma, with fans calling the interval block a “PAISA VASOOL” moment for both Kamal and STR admirers.
Mani Ratnam’s Signature Style and Technical Brilliance
Several reviewers have noted Mani Ratnam’s signature storytelling style—moody, stylized, and rich with visual flair. The direction, cinematography, and A.R. Rahman’s background score (BGM) have received special praise. One tweet called it “Technically brilliant” with “stunning visuals & pulsating BGM,” while another compared Mani Ratnam to animation legend Hayao Miyazaki, underscoring the aesthetic richness of the film.
Mixed Reactions to Storytelling
However, not all reactions are glowing. A few users criticized the screenplay for being predictable and the story as “too old,” likening it to Chekka Chivantha Vaanam (CCV) Part 2. Some feel the narrative lacks freshness and emotional connection. One comment noted a lag in the first half and mentioned that even Rahman’s score felt underwhelming in parts.Despite the criticism, early consensus points to Thug Life being a treat for fans of Kamal Haasan, STR, and Mani Ratnam’s signature cinematic language. All eyes are now on how the second half unfolds and whether it can elevate the film into cult-classic territory.
